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Harjit keeps postcards from former pupils and remembers the unexpected questions better than the examination results.
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Harjit has a postcard tucked into a poetry book beside her hospital bed. Its sender once stayed after class to ask whether a poem could be funny and sad at the same time. Harjit answered too quickly, with a list of examples. The pupil looked disappointed. He had written a poem of his own and wanted someone to read it. She remembers putting the examples aside. The poem concerned a lost football boot. It was both funny and sad, and rather better than her answer.
The postcard shows a garden Harjit has never visited. Her former pupil describes a bench, a stubborn gate and a tree with a label nobody can read. There is no celebrated monument in the picture. Harjit likes that. As a child moving between family homes in the Midlands and Punjab, she noticed small particulars first: the sound of a latch, the shady place at noon. In the hospital room, she turns the card over and reads the description again. She can almost hear that troublesome gate.
Harjit drafts a reply in her notebook. She begins with a polished observation about poetry, crosses it out, and asks about the unreadable tree label instead. Then she adds that she still remembers the football-boot poem. There is room for one more sentence, but she leaves the space. Her former pupil may have a new question. She places the draft inside the book beside the postcard. This time she has remembered to make room before supplying an answer.